They are ranked No. 2 in a catalog of Japan's pinnacle 100 musicians. The group is famous as having pioneered the Synthpop and Electropop music genres, along by means of Germany's Kraftwerk. This led to the Y. M.

O. being offered an global deal, at which point (early 1979) the three members decided the group would be given priority over their solo careers. M. O.

performance at LA's Greek Theatre was transmit in Japan at which point their record sales at home really took off. A evidence to the power of Y. M. O. Making abundant use of new synthesizers, samplers, digital and processor recording technology as it became available, their popularity and influence extended beyond Japan.

Generally the band are highly regarded as pioneers of electronic music, and carry on to be remixed and sampled by modern artists. The collection were careful to keep away from saying they had "split up", preferring to use the Japanese expression meaning "dispersal out", plus in fact the trio continued to play on each other's recordings plus made guest appearances at exist shows. Takahashi, in exacting, would engage in recreation Y.

M. O. fabric in his concerts and as "lead singer" was arguably best located to do so. On a number of occasions Ryuichi Sakamoto has connected in on Sketch Show performances plus recording sessions. He later proposed they rename the group Human Audio Dab when he participates.

The group contain reunited in 2007 intended for an publicity movement intended for Kirin which lampoons their long life plus charted No. The piece of writing could be improved by integrating relevant items and removing inappropriate ones. Hideki Matsutake of the Japanese electric band Logic Scheme (band) has been supposed to be the fourth member of Y.

M. O. M. O. Towa Tei used to submit his demo reels to Ryuichi Sakamoto's means of communication show when he was a teenager.

Y. M. O. M.

O. M. O. backing.

M. L.